Miss those fiction workshop critiques of other writers’ work? Maybe? I remember having a lot of time to doodle in MFA workshops, especially when the conversations turned contentious. Then, moments of constructive feedback would connect to my own writing and lead to furious notetaking.
Reminiscent of the best graduate school critique sessions, the following three blog series offer insights into the craft of fiction writing. We have the added knowledge that whatever worked (or not) in the stories has resulted in publication.
In monthly posts on Writer Unboxed, Ray Rhamey provides a novel’s first 17 lines and asks “Would you pay good money to read the rest of the chapter?” And, by extension, would you be willing to risk money and time to read the book, especially if you were a busy literary agent?
After the novel’s opening lines, Rhamey shares his verdict, explains his reasoning, and polls blog readers for their verdicts and comments. Reader comments, along with Rhamey’s own, offer useful perspectives into storytelling choices and their consequences. The series has examined books by Elin Hilderbrand, Kristin Hannah, Stephen King, and John Grisham, among others. The outcomes can be surprising, especially when the writing of a well-known novelist doesn’t conform to commonly held writing advice. (Note: The opening of Stephen King’s most recent novel didn’t fare as well as you might think.)
Ray Rhamey offers the opportunity for writers to receive similar feedback on their works in progress through his Flogging the Quill blog. Rhamey is the author of five nonfiction books, including Mastering the Craft of Compelling Storytelling, and four novels in genres such as political thrillers and contemporary fantasy.
“Let’s Deconstruct a Story: A Podcast for the Story Nerds” is a series of podcasts and blog posts that include author interviews conducted by Kelly Fordon, who teaches writing in the Detroit area and has published two short story collections and a poetry collection.
August’s post featured an interview with Susan Perabo about her story “This Is Not That Story,” which appeared in The Sun in March 2006. Perabo, whose most recent book is They Run the Way They Do, ended the interview by saying, “I love getting into the choices and the questions that only deep reading and deep thinking can get you to. I think you’re doing a great service for writers and for students of writing, and that’s all of us, right?”
As with all critique sessions, you should read the story first, and Fordon provides links to the texts under discussion. Her posts often go beyond the basics. For example, in a deconstruction of the story “Creve Coeur” by Jacob M. Appel, Fordon created a word cloud from the adjectives Appel used. It’s telling that the words “dark” and gray” stand out, as do the words “indifferent” and “happy.”
NOTE: Beyond deconstructing someone else’s story, creating a word cloud for your own work can be a useful editing and revision tool for exploring a story’s tone and the ideas or themes being explored.
“I’m basically offering these workshops on ‘Let’s Deconstruct a Story’ for my own gratification because I feel like I learn so much from studying the stories of other writers,” says Fordon at the beginning of her work with Appel’s short story. “Really delving into them. Seeing how they work, the mechanics, so I can get some more tools for my own toolbox.”
(Thank you to Erika Dreifus and her “Practicing Writer” blog for bringing Kelly Fordon’s work to my attention.)
The Kenyon Review’s blog includes the occasional feature “Why We Chose It” written by the literary magazine’s fiction and nonfiction editors. Posts in the series link to a current selection from the Kenyon Review so that you can read the text being discussed. For veterans of lit-mag rejections, the posts offer insight into what drew an editor to a particular story.
In a recent “Why We Chose It” post, the Kenyon Review’s Sergei Lobanov-Rostovsky focuses on the short story “Caduceus” by Perry Lopez, which appeared in the magazine’s July/August 2021 issue. Kenyon Review is published six times a year at Kenyon College in Gambier, Ohio.