
Vintage postcard: Where Stephen Collins Foster wrote “My Old Kentucky Home,” near Bardstown.
Before the daily 11 a.m. deadline, the loudest sounds in the newsroom came from reporters tapping out stories on their keyboards. There wasn’t much talking, but lips moved as the reporters tested out their words in whispers before filing their articles with the editors.
I tell my students about this. “It’s what professional writers do. Read your work aloud. You’ll hear the glitches and errors. I do it all the time.”
Some of the deepest editing I’ve done came while recording a short story for Superstition Review (both audio and text of “To Walk Chalk” appeared in Issue 21). I had trouble with the Audible sound editing application and background noises, so not only did I read the story aloud several times, but I also had to listen to it again and again. This aural scrutiny led me beyond fixing the usual sentence errors to more in-depth revisions regarding characterization and recurring elements that tightened the focus of the story. I continue to work toward this higher level of revision in my current projects.
One drawback of reading your work aloud is that part of you is performing, whether or not anyone is listening. If you’re preparing for a public appearance or recording an audio file, this practice is great. However, if revision is your goal, the performative aspects of reading aloud—whether to look up while reading, whether you’re reading too fast or too slow, and how your voice sounds—can be distracting.
This is where the “Speak” feature in Microsoft Word can help. (Thank you to my student, T.J., who mentioned this to me.) Unlike older “readers,” such as databases that provide an uninflected robot voice to read journal articles in either an American or British accent, Word’s text-to-speech feature usually seems smooth enough to let you focus on your words, not the tone of the software.
When I’m listening and not distracted by the physical act of reading, I catch more sentence-level glitches and repetitions along with larger issues that show up throughout the text. For example, do the descriptions of a particular character or setting provide a cohesive mindset or image? Are there unintended contradictions or missing bits of information?
I added the Speak feature to the Quick Access Toolbar at the top of my Word screen, and I’m able to pop into and out of hearing how my words are working. I just highlight the paragraphs I want to hear and click on the Speak icon (as I’ve done with this blog post).
To add the Speak feature to your Word screen you’ll need to follow the five steps explained at: https://support.office.com/en-us/article/Use-the-Speak-text-to-speech-feature-to-read-text-aloud-459e7704-a76d-4fe2-ab48-189d6b83333c
No matter how you do it, the act of listening to your words, is a useful revision tactic. It’s time well spent, as is the time spent setting up the text-to-speech feature in Word.
Add Speak to the Quick Access Toolbar
In case the link to Microsoft’s Office Support site breaks, I’ll copy the steps here. Add the Speak command to your Quick Access Toolbar by doing the following while you’re in Word:
- Next to the Quick Access Toolbar, click “Customize Quick Access Toolbar.”
- Click “More Commands.”
- In the “Choose commands from” list, select “All Commands.”
- Scroll down to the “Speak” command, select it, and then click “Add.”
- Click “OK.”
Again, here is the link: https://support.office.com/en-us/article/Use-the-Speak-text-to-speech-feature-to-read-text-aloud-459e7704-a76d-4fe2-ab48-189d6b83333c
That’s really interesting, and worth checking out. My Grandma was an English teacher, and when I had to face Shakespeare in highschool, her advice to me was to read it out loud, because hearing it would make it easier to understand. She was right.
Definitely! Shakespeare is among those texts you just have to hear.